This BS works in other ways too. I remember reading years back, the director of 'Harry Brown' saying he knew that for realism the council estate gang would be majority (if not all) black kids, but he also knew the backlash that'd invoke, and as films cost millions to make, it just wasn't something he was prepared to risk, so the gang was a bunch of white kids.The stuff with Adjoa Andoh jogged a memory that I thought I'd post here. I work doing sound editing, and a lot of stuff I do is for stage plays. I was teching a play a few weeks ago. It was good, it was about four northern guys attending a friend's funeral (set in Blackpool, I think?). I got chatting with the director afterwards, who told me that the play had been rejected by another theatre, because it was about 4 white guys.
This theatre has a policy that anyone who wants to hire their venue cannot have an all white cast! I made enquiries with other people I know, and it's true. That's insane. It's been growing in the past ten years that stage shows will be criticised for being too white, but this thing where you HAVE to have a non-white character, even if the play is a biopic of the Bronte sisters (real example) is just nuts. It's now the official policy of Equity (the union for theatre people) that you have to cast a play without thinking about the race of the character. Even if that means a black mother in the play ends up with a white kid, or if the play is set in 1900s Scotland.
I totally believe in making theatre more accessible and representative for everyone, but that means telling more and diverse stories, rather than shoe-horning in diversity hires into everything. I'm not trying to be a dick, but most people in Britain are white and most people working in theatre are white. If everyone in the play is white, that IS representative of modern Britain! Imagine if in any other job you got told "You must have a non-white person working in this office. Why? Because you're racist if you don't."
I believe these policies are made by wealthy elite people who live in London, and never go outside of their bubble. They want to reflect the modern diversity of LONDON, because they don't know or care about the north, or the countryside, or poor white working class areas.
More annoyingly, everyone working at that venue is white, so they aren't practising what they preach.
I also recall reading a black actor commenting that this sh1t hurt careers, as no one wanted to cast or write a black villain, for fear of how that might be received. Now that I think on it, I haven't see a James Bond nemesis who was black since 'Live And Let Die' and that was filmed in the early 70s.
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Serious level of clown world in this report: Complaints about the 'terribly white' Palace reveal rocky road ahead.
Yet racism is increasingly a one-way street, where everyone must tread on eggshells except when it comes to white people, because you can say what the hell you like about them.
We seem to be reaching a stage in modern race relations where the very fact of being white is pejorative in itself, especially if you also happen to be a member of the sitting-duck Royal Family.
So it is interesting that Adjoa Andoh hasn't felt the need to apologise - and neither has lawyer, author and media personality Dr Shola Mos-Shogbamimu.
Shola went into an absolute Twitter rage when the first official photographic portraits of Queen Camilla were published on Wednesday.
Why? She believed the new queen was posing in Buckingham Palace in front of a sideboard groaning with blackamoor statuettes, which today are seen to have racist connotations because of their associations with colonialism and slavery.
'This is staggeringly racist offensive and disgusting. After Princess Michael of Kent's Blackamoor disaster with Meghan Markle, this is a choice and intentional,' fumed Dr Mos-Shogbamimu.
After it was pointed out the objects in question were weeping women candelabra and not blackamoors at all, she deleted her tweet but carried on raging.
If there were blackamoors in the palace, they should be placed in a museum so that 'history did not repeat itself', she harrumphed.
'My outrage if it were true still stands,' she added.
We were by now in some parallel universe, a preposterous nirvana of fake, indulged outrage where Dr Mos-Shogbamimu was totally wrong but continued to coddle her own fury as if she were totally right.
And somehow still felt perfectly justified in calling Queen Camilla 'disgusting' and 'staggeringly' racist.
To be clear, Andoh did not call for white genocide, but if she did she should be ashamed of herself for such a disgusting and staggeringly racist remark and cancelled, and my outrage still stands at the comment I imagined her making
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