Jack Monroe #380 Hunger Hurts 2: Solar Lantern Boogaloo

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Sorry I’m still behind but I very much consider class to be material.

People can attain various levels of social and cultural capital. It was previously theorised (check out Pierre Bourdieu) that taste was based strongly on classed preferences, which have a Marxist basis in the notion of the proletariat and the bourgeoisie. This was before post-industrialisation and there was very much still a divide between blue and white collar work. All kinds of social factors have increased social and cultural mobility and blurred these hard lines between classes: democratising higher education in the 1960s/70s, the juxtaposition of popular culture and ‘high’ culture, politicians pushing the universalisation of culture leading to kids learning instruments at school or visiting galleries, and most obviously the internet allowing us access to all kinds of art and thus allowing us to find things we love that aren’t contingent on our parents’ tastes or local trends.

While both social and cultural capital are important, and Jack does indeed have them through her upbringing of ballet and grammar school, what I feel is the thing that makes one securely middle class is the comfort of generational wealth. It’s a security blanket which makes people move through the world differently. Jack will never have struggled, or wanted, or been cold or hungry, or opened the door to bailiffs at her parents’ home and it was never necessary for her to go through that.

If I’m permitted a me-rail to illustrate what I mean: my family were historically dockers, my more recent family are what you’d describe as “underclass”, not in work. I’m grammar school educated, almost finished a PhD, worked in two extremely middle class sectors and have high levels of social and cultural capital due to my mum benefitting from free HE in the 70s. She owns a cheap home but has remortgaged multiple times and thus still paying aged 68. Nobody else in my family has owned property and there has never been any financial fallback (hence the remortgaging) and thus it was scary and shit a lot of the time. Bailiffs, having no heating, etc. However I’m always wary of calling myself working class because I know I have extraordinary levels of social and cultural capital through various luck and privilege. Nonetheless, I’m not middle class and I will almost certainly never own a home.

My friends are nearly all grammar educated and have at least one degree. They nearly all work in less obviously middle class sectors. Very few of them indulge in as many “cultured” leisure activities as I do. However they all - without exception - own homes which they were helped out with through their parents inheriting their grandparents’ estates. In turn, when their parents die, they’ll be able to pay off their mortgages and either be able to give up work young, or seriously reduce their hours. The generational wealth afford them all kinds of options and freedoms at various stages of their lives. Jack is very much in this boat, no matter how much she contests it. If she hadn’t been such a fuckup Big Dave would’ve almost certainly helped her out on a deposit.

This - to me - is why class is more material. These social factors are extremely variable. The security that money can bring is what affords opportunity, the ability to take risks, international mobility to move abroad etc. IMO that is much more permanent and I believe more relevant when defining class.

If you can’t be fucked to read all that: Jack is middle class whether you define it socially, culturally, or economically.


Ok wait this is loads better than what I said, ignore me. This is why I usually always grunk before posting
 
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The thing is Karl has interacted with her previously on twitter. I’m surprised she wasn’t aware of him prior.
 
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I think I'd wear all black (in honour of when she dyed all her clothes), holding a placard..

What happens in Dordrecht, stays in Dordrecht
 
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This is simply one of her (rare!) lacks of due diligence, she reviewed BBC Broadcasting House (London) 2 years ago per Google. Jack's also been to BBC Essex.



Might just be me but leaving a review for somewhere you went to (notionally) work seems very odd, I mean who gives a shit what the Google review score is for BBC Broadcasting House or the Pan Macmillan offices or whatever. Seems kiss arsey which makes me think if she'd been to other offices further afield she'd have left reviews, which she hasn't. Only the ones in London and Essex.
Ginger Studios (photography studio)
21 Perseverance Works (photography studio)
BBC Broadcasting House
talkRADIO
ITN Productions
Pan Macmillan
ON-Broadcast Communications (PR firm)
United Agents LLP (talent agency)
The Guardian
WeWork - Office Space & Coworking
BBC Essex
 
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Re Jack passing/not passing the 11+ (public Facebook post)

 
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I had to read that about ten times to check the date.
 
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how the working class feel about poverty tourism, how patronising the middle class 'do gooders' can be and also the pride and dignity that runs through working class communities.
Exactly this. A few years ago I got involved in setting up a campaign to help save a building in a very working class neighbourhood near the centre of a city. I helped set it up and once established said that it was time for me to take a back seat. The woman in charge who was letting power seep into her head demanded to know why! I said that (a) it wasn't my building (b) although I had connections to the building it was not as much as the community (c) it was their area not mine (other side of town to me) and therefore it was for their passions and I would never be able to replicate that. I think she thought I was being difficult but I felt that. It was their passion, their building, their history. Not mine. Once they were galvanised my job was done. Failed in the end as she stayed in charge and it became an ego thing....
 
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£507? Surely a ring would have paid for that....
 
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Exactly this. There is a balance to be had between exposure, paid work, plugging etc but it is all part of the job and, if done well, all helps to support your personal brand and boost sales. Podcasts are actually really good for this - you get to have good chats about your thing. BUT you need to have charisma, expertise and be generally nice and easy to work with in order to capitalise on it.
 
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