Anatomy of a Con: LieLande Adopt a Star Grift
Read what the ebeggers have written to lure viewers into parting with their money to save their historically insignificant, unlisted chapel for 3 grifting owners. Can you spot the lies?
1. Fanny did not restore all of the stained glass windows before her YouTube Ebegging began.Recall she left one stained glass window at the workshop of the restorer for over 6 years because she wanted to party, shop and travel nonstop instead of paying the bill for the restoration. Once, or grifting campaign began, the other windows were restored using tax free Patreon funds.
2. She failed to mention that one condition of the sale of the dump to her and Baghead was that she had to put a new roof on the chapel immediately. She puts a different spin on the situation in the chapel background below.
3. The third lie contained in the history below is that Michael did not become an owner of any part of the dump until the year 2019, he was not part of the group to whom the property was originally sold in 2005.
4. What future generations are going to enjoy the chapel? None of the owners of the dump have children, with the exception of Baghead , who has a step son. None of them appear to be religious, or have used the chapel for anything other than for buffet dinners, wild parties, and bondage photoshoots.The 50% chapel owner is admittedly not religious in any manner. The chapel is not open to the public, and they do not hold weddings in the chapel.
5. Caroline Gooder aka Fanny has already backed off this lie responses to comments in the cd comment section. “The paintwork restorers are specialists who have also worked at the Chateau de Versailles and are currently restoring the Catherdral of Notre Dame in Paris. “ Name the company, the names of the restorers, and what specifically they did at Versailles and Notre Dame, Fanny. Show their previous work.
6. Another €200,000 is needed to complete the restoration of the chapel and to bring it back to its former splendour to save it for future generations to enjoy. She has never given the name of the restorers, shown any estimates, etc, to back up her claim or any expenses on the chapel restoration. Why such secrecy? What are you hiding?
7. They never say how many stars are for sale, if any star will be sold to more than one individual, etc.
8. Were the structural problems that suddenly surfaced in 2022 in the chapel, a result of Stephanie Jaervis, foolishly draining the pond on the property, that’s affecting the stability of the ground underneath the chapel? Why is this info missing?
9. They forget to point out that the chapel is not considered historically significant in France and is not a listed building. It is not rare andbthe artist who painted in the chapel dud not compel France to protect the chapel as a listed building,
WHAT OTHER LIES/ MISREPRESENTATIONS DO YOU SPOT BELOW?
Collection: Adopt a Star to Save the Chapel of Saint Joseph at the Chateau de Lalande
The Chapel of Saint Joseph at Lalande was built in 1865 after the tragic death of Charles de Nadaillac, the five year-old son of the Marquis and Marquise de Nadaillac, who drowned in the chateau's ancient moat.
Charles' deeply religious parents spared no expense in the building and decorating of this neo-gothic jewel. They called on the finest artisans from Toulouse, whose letters to the Marquis still remain at the chateau. Joseph Engaliere was commissioned to decorate the walls of the chapel, and he covered every square inch in lavish patterns, highlighted with real gold.
Joseph Engaliere was a well-known artist in his own lifetime, decorating many public buildings and chateaux near Toulouse, but - as he specialised in interior design - almost all of his work has been lost.
The Chapel of Saint Joseph is a rare survivor teetering on the edge of disappearing forever if we don't act now.
The chapel was consecrated by the Archbishop of Bourges in 1866. It was regularly in use for the next 100 years. The local priest used to stay at the chateau once a week before giving mass in the chapel, and the Marquise used to teach catechism to the local children of the parish in the chapel. Even up to the sale of the Chateau de Lalande to Stephanie, Nic and Michael in 2005, the chapel was used by two of the current Marquis' siblings who were both priests.
The first thing Stephanie did when moving to Lalande was to re-roof the chapel, to prevent any further deterioration. Then, all of the stained glass windows were restored, one by one, whenever funds could be found.
In 2022 new problems came to light, and the chapel was deemed unstable, with its iconic star-covered ceiling at risk of collapse.
Because of the support of the patrons of The Chateau Diaries, over €200,000 has been set aside to secure the structure of the chapel and to repair the missing vault and the fresco of the Death of Saint Joseph. The paintwork restorers are specialists who have also worked at the Chateau de Versailles and are currently restoring the Catherdral of Notre Dame in Paris.
Another €200,000 is needed to complete the restoration of the chapel and to bring it back to its former splendour to save it for future generations to enjoy.
By adopting a star you will save the chapel and become part of its history forever.
Joseph Engaliere paintings have sold for less than 1,000
Stay up to date with Joseph H. Engaliere . Discover works for sale, auction results, market data, news and exhibitions on MutualArt.
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Ravissante marine du frère de Marius qui, s'il fit l'essentiel de sa carrière dans la région de Toulouse comme peintre muraliste, peignit également de délicates compositions de chevalet comme celle-ci. Joli cadre et montage d'origine, provient d'une adresse toulousaine.Autres photos et nombreux...
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View VILLA ROMAINE AVEC UN DÉPART EN CALÈCHE AU PREMIER PLAN By Joseph H. Engaliere; gouache; 16 x 24 cm; Signed; . Access more artwork lots and estimated & realized auction prices on MutualArt.
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Background of Joseph Engaliere, painter. Others works exist today. Read below for his history.
Joseph ENGALIERE fut peintre décorateur toute sa vie ,.. né à Marseille le 8 décembre 1829 ,il exercera son art à Toulouse et dans les environs. On ne connaît que très peu chose de lui , rien sur ...
peintredecorateur.centerblog.net
ENGLISH TRANSLATION BELOW.
Joseph ENGALIERE was a painter and decorator all his life, born in Marseille on December 8, 1829, he will practice his art in Toulouse and the surrounding area.
We know very little about him, nothing about his training, no anecdotes and very little chronology about his work, he is now an anonymous, a forgotten although there are some traces of his talent. Painter decorator, he worked on marbled canvases or directly on the walls like any painter decorator still today. His brother Marius was a painter, the Mona Lisa base of the Ministry of Culture preserves three landscapes of him...
Specialist in large canvases for public places Opera, theaters, large restaurants, churches and private places, mansions, castles of the Haute Garonne.
His work becomes by destination immovable and therefore time does not preserve him.
He married Marie Louise Igouet, related to the painter Constantin Prévost, she gave him a daughter in 1859. Joseph Engalière died in 1905 in Toulouse, his widow gave the Musée des Augustins a self-portrait... which cannot be found by conservation today!
What remains of a production of a lifetime?
The large paintings made in Toulouse, such as "the apotheosis of Louis XIV" for which he was a medalist in 1858 at the Fine Arts exhibition, the large ceiling of the restaurant "la Comédie" then that of "l'Albrighi", the very large-format canvas of the well-known Hotel Tivollier, Palace of 100 rooms...
All were destroyed, disappeared...
While even precautions were taken, so the canvas of the Tivollier, representing a "bare goddess callipyge on a bed of flowers on a beautiful summer day", was dismantled in the 1960s, offered to the Augustinian Museum who refused it, it disappeared after being stored in a cellar.
He worked for the Capitol Theatre, of the many sets he executed nothing was saved not even the last one he created for the opera " Samson and Dalila" by Camille Saint-Saëns in 1892. Works for individuals are well forgotten, unknown, unrecognized and often destroyed during sales and changes of taste (ridiculous hatred of the nineteenth!)
Four large bouquets against a background of romantic landscapes, canvases that had been adorned since 1866,
the majestic dining room of the Château de Castelnau-d'Estretefonds was sold in 1961 when this castle became a retirement home!
The canvases reappeared in 2002 in a sale in Paris.
At the beginning of the nineteenth century, the Historical Monuments were born thanks to the will of a few including Mérimée and Viollet le Duc, the concern for the preservation of buildings
led technical painters to become the first Restorers, Joseph Engalière was one of them.
The murals of Notre Dame de la Jonquière in Lisle sur Tarn, executed between 1692 and 1702, were hidden in the Revolution by a thick brush. They were rediscovered in 1863 by Joseph Engalière and the parish priest of the time, Canon Falcon.
These paintings represent a concert of angels in costume from the end of the 18th century, singing the praises of the Virgin Mary.
The accompanying decorations of the choir's canvases are by the hand of Engalière, delicate bouquets with very mastered rhythms. Four of the seven paintings, illustrating the life of Saint Augustine, come from the former Augustinian convent of Lisle-sur-Tarn.
This is also the case with the Church "Notre Dame du Bourg" in Rabasten sur Tarn. In 1856, restoration work was undertaken under the direction of César Daly. A second turret was added on the northwest side of the bell tower to ensure the symmetry of the facade, giving it its current silhouette. Wall paintings were rediscovered during this work. They had disappeared at the end of the 16th century under layers of successive brushing.
Joseph Engalière was called for the restoration, work he carried out from 1860 to 1863. The church has been classified as a historical monument since 1899.
It is behind the 17th century woodwork decor of the church of Notre Dame du Taur in Toulouse that a mural was discovered on April 23, 1872 on the occasion of the renovation of the church. The subject refers to Joseph's origins and recalls Jacob's genealogy in thirty-eight figures. They each hold a phylacteria and are distributed over two superimposed registers. The whole is bordered by a vegetable frieze of vine leaves, which gives a framework to the composition. Kind of tapestry in "trompe-l'oeil". (introduction-detail photo JM Stouffs))
Viollet-le-Duc who, while recognizing the interest of the paintings, "died not believe that it was possible to preserve or restore them"
Joseph Engalière in 1874, therefore copied them on a canvas currently preserved in the reserves of the Musée des Augustins, "with a kind of print that guarantees the fidelity of the copy". This (punique,) process consists, after modeling it, of drilling the drawing of small holes through which it is reproduced by depositing pigment on the canvas. The murals were saved later, they are still visible today but not the reproduction of 6.33 m long by 2.17 m high of Joseh Engalière, a piece of choice for the new Museum of French Monuments!
The Gospel Harmony group sings in Zulu, French, Creole and English in the choir of the church of Saint Jory
The vaults and decoration of the choir of the church of Saint Jory (31) were made around 1865, a superb church full of the magnificences of the century, the choir presents an interesting series of large-format canvases that are presented in a decorative painting case executed by an anonymous man named J. Engalière!
I do believe that the problem is frozen toilet water. This strange answer from SJ is very telling.
