Her every interest is a performance so she has no time left to appreciate an actual performance. She doesn't like the opera or the ballet, she loves the idea of being someone who likes the opera and ballet. If I had her disposable income/family money, my butt print would be carved into the ROH seats. Pisses me off that these opportunities are handed out to spoiled brats like her when there are so many young people who would die for the opportunity. I don't even know if she has advertising value, her audience is very young. How many of them will see her at the opera and pressure their parents to go?Hot take but the stalls are some of the worse seating in the ROH.
Acoustics are way off there (or at least they were for Madame Butterfly). You're best off in the lower or middle circle (though we were up in the nosebleed seats for swan lake and the acoustics were great up there, bring a small pair of binoculars though).
It's a shame she says she doesn't like comic opera, because I know for a fact the Oxford Gilbert and Sullivan society puts on some smashing productions. Their Pirates of Penzance was great this year.
For all she talks about loving that sort of music (opera, classical, whatever "highbrow" thing you like), we never see her taking advantage of that in Oxford. There's always something on, and the St John the Evangelist Church down on Iffley Road is always busy with it. It's very hard to take her "love" of Opera seriously when she doesn't engage in it outside of sponsored trips, but then sure I don't need to tell you lot that.
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