Was this a DEI commission?
Tatler’s new cover image – an ‘exclusive’ painting by British-Zambian artist Hannah Uzor – shows no flicker of resemblance to its subject
www.telegraph.co.uk
Sorry, who is she meant to be? The Princess of Wales? You could have fooled me. Even by the standards of modern royal portraiture (and there have been many abominable likenesses of senior members of our royal family produced over the past century), Tatler’s new cover image – an “exclusive” portrait of the Princess of Wales by the British-Zambian artist Hannah Uzor – is egregiously, intolerably, jaw-hits-the-floor bad.
Whatever you made of Jonathan Yeo’s recently unveiled crimson portrait of King Charles III – which, as various wags observed, looked as if it had come pre-attacked with tomato soup by Just Stop Oil protesters – at least the damn thing resembled its subject.
But this? I’ve spent the past hour or so – time, incidentally, that I will never get back – scrutinising Uzor’s “likeness”, and, still, I cannot divine any flicker of resemblance between it and the woman it’s supposed to depict. At first, my editor thought it was meant to represent Meghan, Duchess of Sussex; its subject’s smirk made me think, initially, of Anne Robinson fronting The Weakest Link.