She'd have been much better off just self-publishing. There'd be no turnaround to get her work out in the world, she doesn't care about editing or improving so it'd remove that barrier. She already has an established platform to market from and she'd get to keep more of what little money she makes. Tattle would get to roast it and she'd plenty of blind praise from her fans. But instead she wants the gold trophy of a traditional book deal from one of the major publishers and expects a £1million book deal with no talent or effort.
Yes, Ruby should've gone the self-publishing route, especially since it's not as laughable as it used to be. In fact, it's become a pathway to getting traditionally published. Olivie Blake's The Atlas Six is one of the most successful recent examples of a self-published novel that got picked up and re-published by a traditional publisher. It didn't take Blake years of torturous rewrites and discouraging rejections to hit the NY Times bestseller list -- she was on it before she even had a publisher.
This is why it doesn't surprise me that Ruby thinks she should have an easy time getting published. Becoming a commercially successful author isn't always the arduous artistic journey that it used to be. Anna Todd's After series was a Harry Styles fanfic that the author started writing on her phone to pass the time in a Walmart checkout line. She published it on freakin' Wattpad, and it not only got found and published, but adapted into a Netflix series. Will anyone give a shit about it a hundred years from now? No, but who cares? It still made the author exquisitely rich. Personally, I'd rather be a multi-millionaire in the here and now than a literary legend long after I'm dead.
There's a lot of mediocre and downright piss-poor writing that's making fast money these days, especially in the YA category, fueled by Goodreads and BookTok and BookTube and probably some Gen Z social media shit that I don't even know about. It's really no wonder that Ruby thinks she can get in on the act, but she's going about it all wrong. A quicker path to becoming the latest fiction sensation these days is to get your writing out there yourself. If it catches on with BookTok, the publishers will find you. But of course, Ruby would actually have to write something first.
This is why it doesn't surprise me that Ruby thinks she should have an easy time getting published. Becoming a commercially successful author isn't always the arduous artistic journey that it used to be. Anna Todd's After series was a Harry Styles fanfic that the author started writing on her phone to pass the time in a Walmart checkout line. She published it on freakin' Wattpad, and it not only got found and published, but adapted into a Netflix series. Will anyone give a shit about it a hundred years from now? No, but who cares? It still made the author exquisitely rich. Personally, I'd rather be a multi-millionaire in the here and now than a literary legend long after I'm dead.
There's a lot of mediocre and downright piss-poor writing that's making fast money these days, especially in the YA category, fueled by Goodreads and BookTok and BookTube and probably some Gen Z social media shit that I don't even know about. It's really no wonder that Ruby thinks she can get in on the act, but she's going about it all wrong. A quicker path to becoming the latest fiction sensation these days is to get your writing out there yourself. If it catches on with BookTok, the publishers will find you. But of course, Ruby would actually have to write something first.