Hello Spirit, I can't be too specific but, yes, some of my recommendations come from auction houses. For example, a private collector is selling a Fragonard (which I saw in Paris) through Sotheby's, so I went there to view that and assess its condition. While I was in Paris there was an annual event taking place - called the Salon du Dessin where lots of dealers are showing their works at the Palais Brongiart (Bourse) the former stock exchange in the 19C. I saw some appealing watercolours with a Swiss dealer. I prefer recommending through auction houses as the associates from my end can be very quixotic and take a long time to make a decision if there isn't an auction deadline involved.
One of the most charming things I saw at Bourse this time but did not recommend was a very delicate drawing by St. Exupery for Le Petit Prince. The best of these are at the Morgan NY I believe (the Morgan and Frick are possibly my two favourite institutions in NYC).
Sometimes we have had export bans put on objects that we've purchased. I can be open about this one as it was featured quite widely in the press. Qatar owns a portrait by William Hoare of the first freed Muslim slaves in England, Job Ben Suleiman. It hangs in the National Portrait Gallery but is the property of Qatar. Qatar will have it next year for an exhibition we're curating in the autumn to coincide with The World Cup.
Here he is. If you scroll down you will see that it belongs to Qatar Museums.
by William Hoare oil on canvas 1733 OM.762. Orientalist Museum, Doha.
www.npg.org.uk
There was a lot of press coverage about it at the time of sale
https://www.bbc.com/news/entertainment-arts-12238237
Here's a short piece I wrote about the painting for Google Art which I don't think has gone live there yet.
OM.762 William Hoare (1707-1792), Portrait of Ayuba Suleiman Diallo (called Job ben Soloman)
William Hoare demonstrated an early talent and passion for painting and his father placed him under the tutelage of Italian painter Giuseppe Grisoni (1699-1769) who worked briefly in London as a portrait-painter. Hoare additionally studied in Italy for nine years, in Rome under Pompeo Batoni (1708-1787) and was also influenced by the accomplished Venetian pastel portraitist, Rosalba Carriera (1673-1757). On returning to England, Hoare set up studio in the fashionable spa town of Bath, where he made a good living; in 1768, he was elected one of the founder members of the Royal Academy. Ayuba Suleiman Diallo (1701-1773), who became the first freed Muslim slave in England, sat for William Hoare in 1733. His portrait was to be used as a prototype for an engraving for the frontispiece of Diallo’s memoirs written by his lawyer Thomas Bluett (1690-1749) which was published in London in 1734 under the ponderous title
Some Memoirs of the life of Job, the Son of Soloman, the High Priest of Boonda in Africa, Who was a slave about Two Years in Maryland; and Afterwards Being brought to England, was set Free and sent to his native land in 1734. In this portrait Diallo wears the costume of the Fulbe people of Senegambia, West Africa. Around his neck he carries one of the three Qu’rans that he wrote from memory, a symbol of his piety. Ironically Diallo was himself a slave-trader and had been taken by a raiding party and sold to the owner of a tobacco plantation in Maryland. Diallo’s masters and contemporaries were reputedly impressed by his nobility, serenity and dignity which had not been diminished by captivity. This, together with his slender frame, led to him being released from the severity of field slavery, and he was brought to London whilst still being the property of his master who, by this time, was James Oglethorpe (1696-1785), Director of the Royal African Company. In London, Diallo became a celebrity, meeting Sir Hans Sloane (1660-1753) founder of the British Museum, for whom Diallo translated Arabic transcriptions on coins. Diallo was also received at Court by George II and Queen Caroline. Thomas Bluett’s memoir was enthusiastically received and went into several editions whilst Diallo became a celebrated case for anti-slavery campaigners which resulted in The Slave Trade Act of 1807, prohibiting slave trade in the British Empire. Diallo returned to his native Gambia in July 1734.
Technical information:
Oil on canvas
H. 76.2;. W. 64.2 cms.
I gave a talk on Curating in the Arabian Gulf for The Art Fund in Leamington Spa in 2016. Earlier this year, I gave a Zoom Lecture to The Art Fund on Clara the Rhinoceros.
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https://www.artfund.org/whats-on/events/2016/04/06/curating-in-the-arabian-gulf
If all goes well, I'm hoping to stay here until end 2024 when I will be curating an exhibition on Jean-Leon Gerome. But I'd really like to work for a Private Collection back in London or in Europe. I did a very interesting course, again via Zoom earlier this year, with Christie's London led by a gentleman who manages the collections of Valentino Garavani and Giancarlo Giammetti.
Thank you so much for showing an interest in my work.