TBH I do think Olly was always a bit “Emperor’s new clothes”. I never liked the way the founding members / songwriters of Years and Years were ditched so he could launch it as a solo project. It left a really bad taste for me, because those guys really were talented. I suppose it was the record company that pushed it, I guess those lads didn’t fit the “image”, being a bit geeky and all, but when they ditched them, the song quality dropped off a cliff.
And then when Olly rushed to the papers immediately after Sam Ryder very nearly won, to complain about how he (Olly) hadn’t been in the running for Eurovision. As if he would have won it, unlike sad failure Sam, or something. I thought at the time, really? - you’re choosing to do this now, like a spoilt brat at a party when another kid is getting more attention?
Then all the crowing about how he’d do the “gayest ever” Eurovision, as if this would mean he’d romp home with the trophy. He really did have high expectations of how he would do in the competition. Only to stage some grotty outdated cottaging scenario, with a feeble song, sung badly, and with staging that just didn’t have impact.
I’ve watched it back a few times, and it really was terrible. Borderline unwatchable. I know people who like him will say he didn’t deserve the nil public vote, but honestly, having watched all the acts, he was not better than anyone else.
🤍
, and they were so offended by all the trans and non binary flags and overtly LGBT stuff. Like hello it’s fucking Eurovision what to do you expect 
