He's so talented, I feel his shot at Eurovision was wasted. Same with Mae Muller last year.Has anyone heard/seen the stripped down version of Dizzy with just Ollie and a piano? That probably would have done better
He's so talented, I feel his shot at Eurovision was wasted. Same with Mae Muller last year.Has anyone heard/seen the stripped down version of Dizzy with just Ollie and a piano? That probably would have done better
I'd say there's bound to be a follow-on from this at the next contest.
Will be interesting to see whether this has any effect on the contest next year
I think fans generally love seeing friendships forming but this may well put an end to that. Like I found it a bit weird this year to see artists comforting each other when it was known one of them was going through a hard time because of something behind the scenesit felt like those moments should be personal and that backstage shouldn’t have a million cameras watching their every move
I really thought it was going to be her and I was v excited. Olly was a let down sadly.Dizzy was dull as dishwater, even the dirty toilet sexy spinning stage couldn’t make it stick. Can’t even remember it after a few listens. It’s not even as a tenth as good as anything Years and Years did.
He should have done something more in the vein of Lithuania’s Lulthelk (sp?). I could have imagined Olly performing something like that well. His live vocals would have been better with a produced dance beat. Even Austria did very well with a weak singer and created a banger that landed well with the general public based on the streaming numbers.
Was listening to Rina Sawayama’s ‘This Hell’ in the car earlier. That would be such a Eurovision bop. Easy to understand cheeky lyrics, bit of a gimmick, amazing vocal performance, rocking guitars, potential for amazing staging.
She would be great next year![]()
Yeah it was an okay song too so would have expected it to do well if the votes it got were really representative of the "silent majority" as was claimed.The Israeli song hasn’t charted as well as other songs have which speaks volumes for it not being representative of anything
Exactly the songs I vote for at Eurovision are because I like them more than the other songs in the final not necessarily because I want to listen to them later on Spotify.Even here in Germany, where she got 12 points and the pro-Israel view is ver strong, six other Eurovision artists are ahead of Eden in the viral charts. Doesn’t have to mean anything, other than maybe the people who vote for Eurovision and those who listen to music via Spotify are not the same.
i'm listening to it as i'm reading thisI'm sorry but Estonia was robbed. I don't know why I have such a fascination with the songmy kids are annoyed it's being played ALWAYS
Yeah I'm too old school for spotify, I just listen to the cd in my carEven here in Germany, where she got 12 points and the pro-Israel view is ver strong, six other Eurovision artists are ahead of Eden in the viral charts. Doesn’t have to mean anything, other than maybe the people who vote for Eurovision and those who listen to music via Spotify are not the same.
But he’s admitted he committed a crime? What were the EBU meant to do?
poor Joost
seems that the EBU have proper fucked this up.
apparently he wears headphones all the time to give himself calm from everything going on. A sensitive guy.
#JusticeForJoost
Olly seemed to make the mistake that he thought his reputation would carry him and that the whole of Europe would be aware his theme was “his theme”… and unfortunately neither proved to be true.It's probably been said but Olly's song wasn't terrible. If it had been paired with a feelgood LGBTQ rainbow set, light show and male and female dancers dancing in mixed and same sex pairs it could've done alright. They should've taken much of his dancing out when it became obvious he couldn't sing and dance simultaneously. Have him strut around the stage with the dancers performing around him instead and dance a little in the instrumental section
The theme they came up with was baffling and really didn't work. I'm no prude but how was it remotely family friendly! The costumes were hideous
Croatia, Estonia, Finland (!) and Austria were my faves.
I’ve seen it three times and it’s fantastic. The avatars obviously don’t translate that well to being shown on tvTBF I saw Abba Voyage on Sunday and it was alot better than the lousy bit they showed on tele! It really was very realistic in person. At the end they play a current video of the 4 of them walking on stage and saying Thankyou - which they also could have used ... But hey hum!
Emre quit because he wanted to spend more time with his very young children he had been thinking about it since his youngest was born, Mikey was never really involved in the writing process and is still touring with Y&Y/Olly. You clearly don’t know much about Olly if you think he doesn’t fit into the geeky category.TBH I do think Olly was always a bit “Emperor’s new clothes”. I never liked the way the founding members / songwriters of Years and Years were ditched so he could launch it as a solo project. It left a really bad taste for me, because those guys really were talented. I suppose it was the record company that pushed it, I guess those lads didn’t fit the “image”, being a bit geeky and all, but when they ditched them, the song quality dropped off a cliff.
And then when Olly rushed to the papers immediately after Sam Ryder very nearly won, to complain about how he (Olly) hadn’t been in the running for Eurovision. As if he would have won it, unlike sad failure Sam, or something. I thought at the time, really? - you’re choosing to do this now, like a spoilt brat at a party when another kid is getting more attention?
Then all the crowing about how he’d do the “gayest ever” Eurovision, as if this would mean he’d romp home with the trophy. He really did have high expectations of how he would do in the competition. Only to stage some grotty outdated cottaging scenario, with a feeble song, sung badly, and with staging that just didn’t have impact.
I’ve watched it back a few times, and it really was terrible. Borderline unwatchable. I know people who like him will say he didn’t deserve the nil public vote, but honestly, having watched all the acts, he was not better than anyone else.
I struggle to think of a single act that was worse than him so as cruel as it was, with the way the voting system is, he deserved the nil points he got.TBH I do think Olly was always a bit “Emperor’s new clothes”. I never liked the way the founding members / songwriters of Years and Years were ditched so he could launch it as a solo project. It left a really bad taste for me, because those guys really were talented. I suppose it was the record company that pushed it, I guess those lads didn’t fit the “image”, being a bit geeky and all, but when they ditched them, the song quality dropped off a cliff.
And then when Olly rushed to the papers immediately after Sam Ryder very nearly won, to complain about how he (Olly) hadn’t been in the running for Eurovision. As if he would have won it, unlike sad failure Sam, or something. I thought at the time, really? - you’re choosing to do this now, like a spoilt brat at a party when another kid is getting more attention?
Then all the crowing about how he’d do the “gayest ever” Eurovision, as if this would mean he’d romp home with the trophy. He really did have high expectations of how he would do in the competition. Only to stage some grotty outdated cottaging scenario, with a feeble song, sung badly, and with staging that just didn’t have impact.
I’ve watched it back a few times, and it really was terrible. Borderline unwatchable. I know people who like him will say he didn’t deserve the nil public vote, but honestly, having watched all the acts, he was not better than anyone else.