Thoughts—
— Better Man and Nothin New are some of her best work and should’ve made the album, at the very least as bonus tracks. Crazy that both of those sat untouched for years. I can see how she felt she had to choose between Nothin New and The Lucky One… and I see why TLO won out, but NN is a fantastic song, not even great but overall just hard to beat in her portfolio… can’t believe we got songs like The Moment I Knew and Girl at Home instead!
— Very First Night/Message in a Bottle are good, cute, and catchy, but once you listen a few times, you hear their weakness and she was right to scrap them IMO. Even now I can’t see myself listening to them much. To me they are classic Taylor ‘extras’, she can write these quick little pop-py songs they can’t hold their weight against what she can do at the height of her powers.
— Obviously unpopular opinion but ATW 10 minute version was not good… it’s obviously a draft from the middle of a songwriting process, that draft was worked on until they got the final track which is a great song and a deserved cult classic because she found a way to take all those rambling thoughts and emotions and make a strong and cohesive narrative (the song was already pretty long too) that sticks with you and has an emotional resonance and has that perfect climax at the bridge. 10 minute version is a bunch of random and contradictory thoughts that start to lose the listener— understandable as you work your way toward a song but not meant for a song. And some of the lines were nice for sure, but that’s what happens in writing, you cut some good along with the bad to get great.
NOW, I do still understand releasing it as a nod to the fans as it has becoming a mythology over the years. I get that. But the ~*~short film~*~ and making it your only SNL performance? There is so much else on Red to either rediscover or new tracks to put out… I don’t see why ATW 10 minute has become the centrepiece!
— As for the recorded songs… personally I am attached to the originals so not too interested in re-records, although I admit I will probably add the new Treacherous because it’s one of my favourite songs of all time and she does something a little different on this one. I am surprised actually that the re-records here deviate quite a bit more from the originals.