I suspect people have been tagging her in bad reviews, in which case I can understand her coming off Twitter for a bit.How embarrassing. Whatever happened to the old mantra “never read your own reviews”? Throwing a tantrum is not a good look. I have every sympathy with how awful it must feel to get a bad review, but surely it’s par for the course of every writer?
Regarding the five star reviews (compared to the ones and twos): having worked at a big publishing house it was very much common practice to go round the office getting everyone to write these for our books that were getting panned on Amazon/Waterstones/Good Reads.The reviews on Waterstones for Pandora's book seem to be much more critical than elsewhere. I think I trust these ones most...
How Do We Know We're Doing It Right? by Pandora Sykes | Waterstones
Buy How Do We Know We're Doing It Right? by Pandora Sykes from Waterstones today! Click and Collect from your local Waterstones or get FREE UK delivery on orders over £25.www.waterstones.com
Yeah I think that's really common. Fans thinking they're acting like a considerate close friend by alerting them to an issue. When what they're actually being is a massive twit. 'Hey let me message this person I do not know to tell them people are slagging them off' - how could anyone think that's a good idea or a nice thing to do?I suspect people have been tagging her in bad reviews, in which case I can understand her coming off Twitter for a bit.
Was going to same the exact same.Pandora cannot take any type of criticism, constructive or not. I stopped following her on Twitter a while ago after she kept moaning whenever someone gave a slightly negative review to the High Low. She’d have an outburst of ranting tweets so the likes of India Knight could soothe her bruised ego by telling her how amazing she is. I’m not surprised she’s reacted like this over one less than glowing review.
Exactly what I was thinking, middle / upper class privilege to get personally offended by a piece talking about class and opportunities.It seems (ironically) that by throwing a tantrum over the “kill piece”, she actually proves the author right in calling her privileged.
I've not read the whole book but from the reviews I trust I gather she doesn't actually have any ideas.If you’re going to write a book of essays and get well paid for it you should be confident enough to defend your ideas or accept that they need more work. Don’t hide behind your publicist who doesn’t know the meaning of the term ‘kill piece’. Suppressing any criticism is so anti being a leading thinker of a generation
Exactly. Friendly reminder that Pandora is a hereditary title (http://www.thepeerage.com/p19709.htm#i197087). She’s related to Jane Birkin. She went to St Mary’s in Ascot, where term fees are £13,380 a term (and her niece now goes there, so it’s likely she might also send Zadie there). Her house in Kensal was £1.3 million. Christ - her bed is upholstered in Pierre Grey, which goes for upwards of £600 a metre! She categorically isn’t, and can’t be, an objective commentator on the ephemeral “millenial condition”. Her life is so far removed from any kind of normal “gen rent” experience; trying to act as an orator for the middle classes is just laughable. Throwing a tantrum when she (very fairly, and fairly diplomatically) gets called out for doing so is repugnant and spoilt. The article made some really important points, namely that Pandora’s book has an entire essay bemoaning fast fashion and why we all need to buy less, without ever really addressing how her job as ST’s Wardrobe Mistress contributed to and perpetuated consumer culture. She literally made her money, whether through Instagram or her column, by enticing people to buy. Fine - people change, as do consumption habits. But she seems to have a repeating pattern in failing to acknowledge how she is not only complicit, but culpable in the problems facing millennials. She doesn’t seem to understand that she can’t remove herself from the problem - in order to write about it well, she must fully examine her role in these issues. She’s not some observing Alain de Botton-esque voyeur - she’s an ex-fashion writer with skin in the game.
Pierre Frey*