colouredlines
VIP Member
It feels like the scriptwriters are all 20 years old and imagining what life after 50 is like...everyone's deaf, dying, drunk, or having hip surgery, and nobody has ever met a black person before.
I'm a gay woman and quite girly now (long hair, wear make-up, etc.), but I was very much a tomboy as a kid in the 90s/early 00s. It really scares me how much young women who aren't super-feminine are now almost pressured to identify as something other than female. I wonder how many are being pushed down a medical pathway of transitioning when they aren't even old enough to vote or drink.Why can’t girls just be tomboys now - why do they suddenly have to become a boy?!
Plot TwistMiranda is definitely going to catch Che doing someone isn’t she?
Yes, Harry I felt for in this episode. They said exactly what I was thinking. If I had teachers talking to me like that I would be angry.I did actually feel really sorry for Charlotte and Harry in this episode, and of course I like Anthony who seems to have been allowed to keep his original personality.
She has a lovely figure, gorgeous hair, beautiful skin and really good bone structure.Honest question - how do you look at
and get “beautiful”?
You are so right and it fucking kills me because Miranda and Steve have such a nuanced storyline built over literally years and it culminates with REAL personal growth for Miranda (remember when Magda tells her “real love is what you did. You love” when she’s looking after Steve’s mum with dementia, and it’s such a MOMENT because miranda had been so resistant to the idea of being a wife, a mum, living in Brooklyn, caring about others, etc etc. And now they’ve just fucked that beautiful arc with some out of character bullshit. I don’t even like Steve and he deserved better, so did their story. Bit like Samantha chucking Smith in the movie. What a load of bs.Love it. Absolutely right, Steve has committed the crime of being a heterosexual middle-aged white bloke and must be punished accordingly.